Len looks at Johannes Itten’s colour contrasts that were developed and taught at the Bauhaus School of Design.

Len shows us the differences between global contrast, mid tone contrast and textural contrast. He shows us other forms of contrast with some paintings and photographs.

Len discusses how tone is the most important element in photographic composition. He explains how we are attracted to the area of greatest contrast. He goes on to explain how we need to match our centre of intellectual interest with the visual centre of the photograph.