This week Len looks at minimalism.

In this presentation in Len’s series on printing your photographs, Len talks about selecting a monitor and selecting a calibration device. Len rounds off this presentation with discussing viewing conditions for your photographs. What lights to use when assessing your photographic work.

In this presentation in the Photographic Composition series Len discusses the Point of Power, the Rule of Thirds, Pi and the Golden Ratio. He shows how these are used in photography and art throughout the ages. He describes how these sacred ratios are derived from nature. Len also gives his advice on using them.

Len takes us through the second part of this book, and explains how the points are relevant to us photographers.

In this presentation in the Photographic Composition series Len discusses the Point of Power, the Rule of Thirds, Pi and the Golden Ratio. He shows how these are used in photography and art throughout the ages. He describes how these sacred ratios are derived from nature. Len also gives his advice on using them.

In this presentation Len takes us through some of the concepts of genius as they apply to photography and art. These are taken from the book by Marty Neumeier, ‘The 46 rules of genius’. This is part one in the series. This talk is illustrated with Len’s most recent photographic work all taken in the past ten days.

In the ninth episode of the series on Photographic Composition, Len discusses the use of Aspect Ratios, and Cropping of photographs.

This presentation is today’s Mystery Box which has been pre-recorded as Len is off in the Snowy Mountains this week. Here Len talks about how he quietens his noisy mind before taking photographs.

Here Len discusses ways in which you can punctuate your photography to great effect.

Len talks about what he learnt when he visited the United Kingdom to speak at the On Landscape - Meeting of the Minds, photography conference. While he was there he spent lots of time with Tim Parkin and Mark Littlejohn. In a deeply personal experience, Len shares his lessons from his couple of weeks there.

In the seventh episode of the Photographic Composition series, Len shows us how perspective works. He starts with linear perspective, and continues through to atmospheric perspective. He talks about how you can increase the depth in your photograph by how you process the foreground and background differently.

This video is part one of a longer series on printing your photographs. The series will be slowly developed and will take you through all the steps of getting your photographs printed when you use an inkjet printer.

In this first presentation Len talks about getting your prints made for you at printing houses. Everything from the local chemist, through to the best photographic printers in Australia.

In Part Six of Len’s series on composition, Len introduces us to Chiaroscuro and how it was developed through optics in the 15th Century during the renascence. This presentation contains nudity and is not considered safe for work,

Len goes on to explain how shadows give shape to round objects illustrating their form. And shows us how this applies to photography.

The third presentation on Style. In this video Len discusses look in photography.

Len discusses the issues around selecting a photographic inkjet printer, and talks about his own preferences in his choices.

This is the second in a three part series where Len takes us on a journey looking at style. In this episode Len talks about voice.

In this presentation Len discusses the importance of edges in your photographic composition. He reminds us over and over that ‘The edges are always important’ and tells us to actively check the edges of the frame each time we create an artwork. Len talks about how to use the edge of the frame to enhance your photographic composition.

This is the first in a three part series where Len takes us on a journey looking at style.

Len discusses how tone is the most important element in photographic composition. He explains how we are attracted to the area of greatest contrast. He goes on to explain how we need to match our centre of intellectual interest with the visual centre of the photograph.

In this presentation Len explores with us the use of the centre of the photograph as a compositional element. He explores the idea that it is a powerful and strong place to use. He also introduces us to Paul Kenny’s work that uses the circle and square motifs throughout his long career as a photographic artist, that celebrates cameraless photography.